Admittedly, there's not a whole lot to report on the writing front. School has usurped a lot of my creative time, although I got a some good work on E the G and MishMash, if just briefly. I really need to buckle myself down to the editorial work required for this step in MM, but it's drudging mostly because I wrote out by hand all of the material that I'm in the process of editing. So, there's an element of secretarial work to this particular edit move, as I've got to type up all the stuff as I go.
It's strange that the transition from hand written to typed seems to augment the material. I'm not sure that I could have gotten the kind of tone I have going in the, let's call it, Shattershot Backstory if I hadn't gone with the paper and pen approach, but the writing itself seems more comfortable in the plainness and uniformity of typed-upness. Whatever that all might mean, it does seem to be true. I've been required to do surprisingly little actual editing, and mostly just have to sit and type and type and type. This is the distinctive disadvantage of this approach, and I have a lot of stuff that is gonna be a serious pain to process because it's all pen and ink work. Still, I'm not so totally unhappy with the results I'm currently getting that I want to chuck it all in and start an ant farm. Still it is actually fairly difficult to edit as I'm typing, which is probably why the whole thing feels like such a slog to me.
As far as E the G, I'm pretty happy with what's been forthcoming as far as characterizations. The tighter structure really allowed me to breathe more individuated life into the different people that populate this script, but I've got to get some handle on who are the people in the play with Lilly. Lilly is Eddie's girl or maybe more accurately Eddie is Lilly's boy, and she is in a play. When she brings the other cast members to the bar, Ed reacts badly to the whole thing. What that's all about I'm not sure. Like I wrote, I really need to spend some quality conceptual time with the next move in plot and character.
So, anyway, I do blog like a madman, which is good, and doesn't seem to distract me too much off of my schoolwork thus far, but cross-referenced modulates and the crazed-junkie fad diet have had to take a backseat. They require more character building than I have time for, especially CRM. I want to get Jhazz James into it, but he's like the serious straight ahead intellectual of the group, and so his first review is going to be a study of Cornel West's Democracy Matters. That kind of dovetails with the play part of The Coffee Shoppe because as the first act I want to have all the characters in one on one discussions about books or plays as a way to introduce them. Two of the characters are gonna get on West, so it'll fit together once I find the time. I do want to hit up crazed junkie a little today, and I have some stuff for it and a piece of his first review for CRM, which is Bukowski's Ham on Rye.
I just quickly want to address the idea of working out specific plot and character in this space, which I don't totally. I've hinted at it, and there's a taste of it here, but I mostly just observe where were at and structural and conceptual stuff. It's something to think about, but I'm not entirely sure how that might go. Okay, so maybe I did have something to report.
A sometimes half-arsed record of the process of writing in its' variegated many forms.
- A reminiscence
- stylistics, bravery, tapioca
- It's beyond time
- I'm checking in, I'm checking out
- Self help book for the slightly inebriated
- detached irony
- Where it's at
- satiated and still not satisfied
- Editorializing for a cup of tea
- Choral structures, Coffee split, and other tidbits...
- Eddie the Grouch
- period of the zygote
- ▼ 02 (13)