All writers have their own process. All writers must find out for themselves what works for them. And what doesn't. They must wander in the wilderness (or maybe that was just my requirement) for all of eternity trying to make sense out of senseless worlds in a work of fiction that both makes sense but also shows how that sense is in direct conflict with prevailing culture mores or how it gives us a deeper sense of what the unburied, unbridled, unconstructed, and dismanipulatedness of the clear-viewed pure culture has, is, and will always be, remaining untroubled by the human manifestations of the sharply narrow views of that all encompassing, all embracing cultura. Just a reworking and remolding of the nature of humanity through the conscious attempts towards exploitation, vapid escape, and a decidedly narrowing process of human awareness.
So, the truth is that culture, can be glimpsed by art, music, film, TV, but that glimpse is just the atomic smash of denting, destroying, Thatonotic, twisting. [to be con'td at: A Hyperanaphlaxis Univeral Mean]
My process is one of facetly layered levels of interconnectedness with the true autobiographical elements of my life, but filtered through a philosophic imagination. That's kind of how this whole novel project came about. I was finishing up a pretty quick, 40ies style inde flick, and the end of the screenplay there's a character trying to write a novel.
And so it occured to me as I was writing some of the last narrative overlay from the actual film, it occurred to me that I should write a novel about a character who wants to write screenplays.
Early on the idea that he would enter into the scenes he'd written, and that that would play havoc on his life, as he was becoming a character in a film, the script of which he was writing himself.
Well, that's quite a condensation of the first act, but true. let's just say this before I get my podcasts up. I promise some top shelf podcasts of the story, probably through podiobooks.com.
And maybe my insights, possibly vid/blog of my ideas. I actually have a half hour breakdown of an early screenplay I wrote. I need to review that shiite and get it going.
A sometimes half-arsed record of the process of writing in its' variegated many forms.
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Saturday, May 9, 2009
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